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Sony unveils the Venice, its first full-frame cinema camera system

by on Sep.06, 2017, under Reviews


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Sony has just unveiled a new, groundbreaking (at least for them) cinema camera. It’s called the Sony Venice, and it’s the company’s first 36x24mm full-frame digital motion picture camera system.

Designed in “close collaboration with the creative community,” the Venice is the newest generation of Sony’s CineAlta series, which promises natural skin tones, “elegant” highlight handling and wide dynamic range. In the case of the Venice, the camera’s 36x24mm sensor promises 15 stops of latitude to tackle challenging lighting scenarios, and a brand new color management system with ultra wide color gamut for more flexibility in post.

The headline feature is the sensor itself, though. The full-frame chip can be switched out by the camera’s user by simply removing four screws, and at 36x24mm it’s compatible with Anamorphic, Super 35mm, Spherical and Full Frame PL mount lenses. If you’re really feeling frisky, the lens mount can be modified to support E-mount lenses.

Additional features include a built-in 8-stage glass ND filter system, weather sealing, 10-bit XAVC, 16-bit RAW and S-OCN recording via the Sony AXS-R7 recorder, and a modular design that allows you to use the Venice with current and upcoming CineAlta accessories.

The camera is expected to arrive officially in February of 2018, and while Sony didn’t reveal a price, it seems filmmakers will have the option to ‘license’ different builds for specific production requirements like 4K anamorphic and Full Frame. To learn more, head over to the Sony Venice landing page, or read the full press text below.

Press Release

Sony Unveils VENICE, Its First 36x24mm Full-Frame Digital Motion Picture Camera System

Anamorphic Capabilities, Interchangeable Sensor, 8-stage ND Filter System, New Color Management & Established Workflow Combine into Unique Creative Filmmaking Tool

LOS ANGELES, Sept. 6, 2017 — Sony Electronics is unveiling VENICE – its first Full-Frame digital motion picture camera system. VENICE is the next generation of Sony’s CineAlta camera systems, designed to expand the filmmaker’s creative freedom through immersive, large-format, Full Frame capture of filmic imagery producing natural skin tones, elegant highlight handling and wide dynamic range. VENICE was designed through close collaboration with the creative community, fulfilling the requirements from filmmakers and production professionals.

VENICE will be officially unveiled on Sept. 6, in front of a select audience of American Society of Cinematographers (ASC) members and a range of other industry professionals. Sony will also screen a short film, “The Dig”, the first footage shot with VENICE, produced in Anamorphic, written and directed by Joseph Kosinski and shot by Academy Award winning Cinematographer Claudio Miranda, ASC.

“We really went back to the drawing board for this one,” said Peter Crithary, marketing manager, Sony Electronics. “It is our next-generation camera system, a ground-up development initiative encompassing a completely new image sensor. We carefully considered key aspects such as form factor, ergonomics, build quality, ease of use, a refined picture and painterly look—with a simple, established workflow. We worked in close collaboration with film industry professionals. We also considered the longer-term strategy by designing a user interchangeable sensor that is as quick and simple to swap as removing four screws, and can accommodate different shooting scenarios as the need arises.”

Full frame sensor and wide range of lens compatibility

VENICE combines a newly developed 36x24mm Full Frame sensor to meet the high-quality demands of feature filmmaking. Full Frame offers the advantages of compatibility with a wide range of lenses, including Anamorphic, Super 35mm, Spherical and Full Frame PL mount lenses for a greater range of expressive freedom with shallow depth of field. The lens mount can also be changed to support E-mount lenses for shooting situations that require smaller, lighter, and wider lenses. User-selectable areas of the image sensor allow shooting in Super 35 mm 4 – perf. Future firmware upgrades are planned to allow the camera to handle 36mm wide 6K resolution. Fast image scan technology minimizes “Jello” effects.

New color management system and established workflow for flexible post-production

A new color management system with an ultra wide color gamut gives users more control and greater flexibility to work with images during grading and post-production. VENICE also has more than 15 stops of latitude to handle challenging lighting situations from low-light to harsh sunlight with a gentle roll-off handling of highlights.

VENICE achieves high quality and efficient file-based production through Sony’s established 16-bit RAW/X-OCN via the AXS-R7 recorder, and 10 bit XAVC workflows. VENICE is also compatible with current and upcoming hardware accessories for CineAlta cameras (DVF-EL200 Full HD OLED Viewfinder, AXS-R7 recorder, AXS-CR1 and high-speed Thunderbolt-enabled AXS-AR1 card reader, using established AXS and SxS memory card formats.

Intuitive design & refined functionality support simple and efficient on-location operation

VENICE has a fully modular and intuitive design with refined functionality to support simple and efficient on-location operation. It is the film industry’s first camera with a built-in 8-stage glass ND filter system, making the shooting process efficient and streamlining camera setup. The camera is designed for easy operation with an intuitive control panel placed on the Assistant and Operator sides of the camera. A 24 V power supply input/output and LEMO connector allow use of many standard camera accessories, designed for use in harsh environments.

License options for individual production requirements

With VENICE, Sony is giving users the option to customize their camera by enabling the features needed, matched to their individual production requirements. Optional licenses will be available in permanent, monthly and weekly durations to expand the camera’s capabilities with new features including 4K anamorphic and Full Frame, each sold separately.

The VENICE CineAlta digital motion picture camera system is scheduled to be available in February 2018. For more information, please visit: www.sony.com/venice.



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Green Tree Digital Picture/photo/wallpaper/Desktop Background/ Email Send

by on Sep.06, 2017, under Tips and tricks



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Rotolight unveils the Neo 2: A portable LED HSS flash that doubles as a modeling light

by on Sep.05, 2017, under Reviews


Rotolight has announced the launch of Neo 2, an “industry first” high speed sync-capable LED flash that doubles as a continuous light source and boasts no recycle time.

The company says it designed the Neo 2 specifically for videographers and portrait photographers, and that it collaborated with Elinchrom to build its Skyport 2.4GHz HSS wireless flash receiver into the model. That Skyport receiver, in conjunction with the Rotolight HSS transmitter, enables photographers to wirelessly control up to four groups of 10 lights at ranges up to 656ft / 200m.

The Neo 2 light itself is powered by AA batteries and is capable of 85,000 full-power flashes on a single charge. This model’s shutter sync can be set at fast as 1/8000th of a second, and it offers 500% flash output.

Compared to the original model, the Neo 2 is 85% brighter when used as a continuous light, and there’s a built-in kelvin display for adjusting both flash and continuous light color temperature. Rotolight used its AccuColour LED tech with the Neo 2, the result being “perfect color rendering,” according to the company.

The Neo 2 is available now in a £250 (~$325 USD) bundle that includes a single light, the power supply, an accessory shoe, belt pouch, and a 4-piece filter pack. Rotolight is also offering a £1,125.00 (~$1,465 USD) bundle that features three lights, stands, balls heads, and a hard flight case.

Press Release

ROTOLIGHT UNVEILS NEO 2

A revolutionary all-in-one High Speed Sync flash and continuous light for photographers and filmmakers

The dawn of a new age of on-camera lighting

Pinewood Studios, London, 4th September 2017: Rotolight, award-winning British LED lighting manufacturer, has announced the launch of an industry-first, all in one High Speed Sync (HSS) Flash and continuous on-camera LED lighting innovation, NEO 2. Unlike traditional on-camera flash, NEO 2 has no recycle time, which ensures users never miss a shot, making it the perfect light choice for today’s modern high-frame-rate-capable cameras.

NEO 2 can be simultaneously a continuous ‘modelling light’ and HSS flash, allowing the photographer to easily acquire focus in dimly lit situations and optimise composition. Designed for portrait photographers and videographers on the go, NEO 2 provides the ‘shoot what you see’ benefits of continuous light, and the flexibility of HSS flash (1/8000th sec.) with 500% flash output, whenever users need more power or to freeze action. HSS also enables users to shoot with wider apertures to create beautiful separation between subject and backgrounds.

Rotolight has collaborated with Elinchrom to integrate its ‘Skyport’ 2.4Ghz HSS wireless flash receiver into NEO 2, eliminating the need to purchase a standalone flash receiver, whilst providing rock-solid reliability, range, flexibility and control for multiple off camera lighting setups. Skyport enables users to wirelessly control up to 10 lights, in four groups at up to 200m(656ft) with the new Rotolight HSS transmitter, optimised for Rotolight by Elinchrom. It is available on launch for Canon, Nikon, Sony, Olympus, Panasonic, and, shortly, Fuji camera systems, and compatible with all other Elinchrom Skyport devices.

“The NEO 2 is going to revolutionise how people use light, and eliminate the need for external flash. If you have those moments that you just cannot afford to miss, this is an incredible light for you. You’ll never miss a shot,” says Jason Lanier, a Sony Artisan of Imagery and professional photographer.

“I tested NEO 2 on a Sony A6500 at 11 frames per second,” explains Lanier. “It fired every single time. There’s genuinely no recycle time, no light loss, no power loss. That is just a game-changer, there is no other light in the world that can do that.”

Featuring electronically adjustable colour temperature in both flash and continuous modes, with a built in kelvin display, NEO 2 enables photographers to easily adjust white balance or match ambient light settings to create more natural looking shots.

Lightweight and portable, NEO 2 can be mounted both on or off camera for ultimate creative control. Delivering the longest battery life of any speedlight or flash, ever made, NEO 2 provides 85,000 full power flashes on a single set of rechargeable AA batteries, compared to the 200 flashes of a typical speedlight. Now 85% brighter in continuous mode than its predecessor, NEO 2 is a small light that delivers big results.

“It enables photographers to spend more time composing the perfect shot, rather than spending time on cumbersome lighting setups. For those shooting both stills and video, it entirely eliminates the need for two separate purchases, says Rod Aaron Gammons, managing director of Rotolight.

Packed with innovative features for video users, NEO 2 is ideal for interviews and filmmaking. It includes an updated suite of CineSFX™ effects, Rotolight’s award-winning feature set for video productions/ filmmaking, (fire, lightning, TV, gunshot, paparazzi and others), as well as Designer Fade mode for custom in-camera fade FX.

NEO 2 also features Rotolight’s AccuColour ™ LED technology that delivers outstanding colour rendering for perfect skin tones. The unique circular shape provides a naturally soft, flattering light output, with Rotolight’s signature catchlight effect.

Rotolight NEO 2 is available as a single light, including a belt pouch, accessory shoe, power supply and four-piece filter pack including diffusion, skin tone and magenta, or as a three-light kit with hard flight case, stands and ball heads. Optional accessories include softboxes, raincovers, and 10-piece colour filter pack.

For more information visit www.rotolight.com



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